We’re smack dab in the middle of the most action-packed week The Airborne Toxic Event has had in months. After playing four sets in three cities in just over 48 hours last weekend and hitting Buffalo Tuesday night, the band finishes off the first portion of the Whiskey Machine Tour with another four set, three city, 48 hour whirlwind: New York City (last night), Anna Bulbrook’s hometown Boston tonight, and Philadelphia tomorrow. That final stop will include a private set for the winners of the band’s Shazam contest, to be held a couple hours before the main event.
A Close Call
The band’s frenzied performance schedule this week is made all the more remarkable by the fact that Mikel Jollett has been doing it hopped up on painkillers after a recent car crash that could’ve been much worse. He shared the scary details in an interview with CBS Philly:
I hydroplaned on the 10 freeway and spun off and totaled the car. I almost died; like, it was crazy. Went down an embankment, got pinned by a boulder. I just spun off the freeway at a high speed. It was insane. My back’s all messed up… nothing major, just some muscle stuff.
As to playing the shows on meds, he says, “It’s been interesting. We played a show the other night and I forgot the lyrics to a song, then we play another show in Toronto at Riot Fest and I forgot the lyrics to another song, and I put it in the wrong key, because I’m on all these muscle relaxers and pain killers. The show’s been loopy, but fun. I’ve never been that into drugs, more than you’re average wayward rock and roll person in the big city I guess, but man, it’s been a whole nother experience.”
I’m sure I speak for the entire Airborne fan community when I say, thank God it wasn’t worse. Take care of yourself, Mikel, and thanks for keeping the show on the road.
Speaking of God, elsewhere in the interview, Mikel waxes theological as he considers the Pope’s visit to Philly coinciding with the band’s show on Saturday. He also looks back at the reaction to Dope Machines, concluding that he had fretted unnecessarily.
I think I was hand-ringing over nothing. When you make something, you spend so much time on it, you feel like a lot of nervous energy about how it’s going to be received. Early on there were people, like on Facebook that were so mad that we made an electronic record and I wasn’t sure if they were expressing some larger will, and it turns out they weren’t.
A Not So Silent Night
The Airborne Toxic Event has been a regular at holiday shows over the years, and the first announcement in that regard came down recently. The band will return to Denver with Bastille, Cold War Kids and others on Dec. 5, for Channel 93.3’s Not So Silent Night.
Reading Between the Lines
From the department of “I May Be Reading Too Much into This” comes this tweet:
— Airborne Toxic Event (@Airborne_Toxic) September 14, 2015
It’s just four little letters that could ultimately mean nothing, but that “hmmm” has me quite optimistic that we will get some kind of official recording of Airborne’s very popular cover of Kid Cudi’s “Pursuit of Happiness” before too long. May it be so!
Assorted coverage of The Airborne Toxic Event’s most recent road escapades:
Anti Music tagged the band as one of the MVP’s of Riot Fest Chicago.
Music Felon published a photo gallery from TATE’s electrifying gig in Austin.
Buffalo News published a huge collection from Airborne’s visit earlier this week; if you were there, you’ll probably find yourself in their extensive fan shots.
Mulling Over Midnight
As part of their ongoing “What’s THAT Supposed to Mean?” series, Popdose recently covered The Airborne Toxic Event’s best loved song, “Sometime Around Midnight.” The writer, Beau Dure, muses about why he feels so connected to a song that describes experiences he’s never personally had – a sensation that I am very familiar with myself.
The question I’ve wrestled with is this, and the reason I’m writing about this song in this series: What do I get from this song? Why does it resonate with me?
I’ve never been in this situation. I was never a serious drinker — never “lost in the haze of the wine” or stumbling down a street oblivious to everyone’s stares. I haven’t had a breakup I regretted since I started college.
The closest I can come to that feeling would be in college, watching situations in which I didn’t even have a chance to be the ex. I haven’t checked with Duke, but I may still hold the university record for unrequited crushes. I can’t think of a specific situation in which I saw someone I admired from afar walking off with another guy, but if you add up all the times I realized someone was out of my league or just walking in different circles (like frat parties, which I never had the slightest interest in attending), I could probably come up with a pretty good amalgam.
Noisy published a compelling retrospective off failed Los Angeles radio station Indie 103.1. With the station’s heyday having coincided with the rise of The Airborne Toxic Event, the band gets an extended spotlight in the story. Mikel recalls what the station’s support meant to his upstart operation:
We had been a band for about a year and I think Mark Sovel had us in to the studio to do a live performance of a song. It was really cool because we were just a local band playing Spaceland and El Cid and places like that.
I had this little clock radio and it was on Indie 103.1 and I heard our song, “Does This Mean You’re Moving On?” and was like, “Woah, this is so cool!” It was like that moment in La Bamba.
It’s one thing when you hear something through your speakers or monitor speaks in the studio or something, but hearing something that you’re a part of on your tiny, little fuckin’ digital talk radio—that’s a trip. I think it also followed the song “Push” by the Cure, which is one of my all-time favorite songs. I kind of welled up a bit.
In January of 2008, we played this [Indie-hosted] residency at Spaceland and in the fourth week of the residency—again, we’re still a local band, no manager, no record deal, nothing—and Indie 103.1 added us to their rotation, started playing our song all the time, which was a huge deal for us…We never figured that the radio would play us and then they did. It was this really weird moment because it was embarrassing how exciting it was.
KROQ [added The Airborne Toxic Event] that same week and it was crazy. The audience totally changed. It was bigger. I think 1200 people showed up to that show for our residency and Spaceland has a capacity of 300. There’s a little documentary online about that night. That was kind of weird. The week before, there was 200.
The other thing that changed was the audience. Before that, it was our friends and people in the scene and music fans from the Eastside or wherever. Then suddenly people drove from the Valley or people drove from the South Bay or the Westside to come see a show at Spaceland. It was just a much bigger crowd and it was a different kind of crowd.
Radio is very competitive and there are all kinds of charts that show you the research of how this song is performing…There is detailed research and it’s all tied to ad revenue, right? But, Indie 103.1 didn’t seem to care. They just liked playing what they liked and they had some cool people working there—Sovel being one of them—that just had good taste and liked good music and just sort of believed that if they did that then the rest of it would fall into place.
Yep… I’m a little obsessed with “Pursuit of Happiness” at the moment. Here’s the performance from Riot Fest Toronto, courtesy of danielscissorhands.
Glen is the founder and editor of This Is Nowhere. He’s grateful for an understanding wife and kids who indulge his silly compulsion to chase a band all over the Pacific Northwest (and occasionally beyond) every time the opportunity arises.