Posts Tagged ‘Fillmore’

Steven Chen of The Airborne Toxic Event, Fillmore residency night 2. Photo by Jessica.

Steven Chen of The Airborne Toxic Event, Fillmore residency night 2. Photo by Jessica.

By Jamie

It’s been 5 months since my crazy experience seeing The Airborne Toxic Event perform a 3-night residency at the legendary Fillmore in San Francisco. Feeling as though I had nothing to add to the already superb write-ups featured on this blog about the event, I chose not to share my experiences. In the months that have followed, though, I have gained a new perspective on the whole trip, and some of the things that stuck with me are not what I would have expected to walk away with. Hopefully you find some of these lessons learned as amusing as I do.

1. Being in the second row is not the end of the world.

Yes, I just typed those words. Before last September, if you had told me I would be saying this, I would have not only laughed at you but I also would have laughed with pity at the poor fools who had convinced themselves that this could possibly be true. That was before I found myself in San Francisco with two of the most awesome girls I have ever met.

On Friday, my second day, I was completely intoxicated with the city and spent a little more time than I had planned sightseeing, laughing and drinking with my friends. When I arrived at the venue for “All At Once night” at around 3pm, I realized my chances at front row were slim to none.  I was, after all, battling with the MOST hardcore of the hardcore (just ask Glen what time he started lining up). I sucked it up and put on a brave face but I was absolutely panicking inside. Standing in line, I convinced myself the show was going to be horrible; I was going to feel so far removed from the action that I would never forgive myself for taking that cable car.

What I learned was, second row isn’t that different than first row. Yeah, you’re not leaning against the stage getting hit in the head with Steven’s guitar, but it’s still pretty damn fantastic. What you lose in proximity to the band you gain in proximity to the fans. It was a party; we danced and laughed and drank. That’s right, I was able to DRINK because if I had to pee, I was able to get to and from the bathroom, something anyone who has ever experienced barrier would assure you is near impossible. Even the band could see me way back there, as proven by Steven’s nod in our direction when my girlfriend and I started screaming for him.

What’s the moral of the story? It’s true that barrier is an experience like no other, but these guys play to the whole room, not just the front row. There are no “bad spots” at a TATE show.

2. Strange Girl makes me ugly cry.

In the weeks leading up to the residency, fans eagerly discussed the songs they were most anticipating hearing. For me, that song was “Strange Girl.” Not only had it rarely been performed live, it is in my top 5 TATE songs. When night 2 came along, I had almost forgotten what I was about to experience, what with the trauma of being in the second row. When Mikel announced the song, it was a wonderful little surprise. As he started singing it, a beautiful acoustic version accompanied by Anna’s angelic vocals, the enormity of everything hit me at once. The anticipation of the last 4 months, the reality of what I was finally experiencing and the beauty of the arrangement brought me to tears. Not those small tears that you can wipe away without anyone seeing, oh no… I was balling, so much so that my neighbors took notice and told their neighbors, and soon my ugly cry was the main attraction. “Look everyone, she’s SOBBING!” Slightly embarrassed, even though everyone meant well, I embraced my feelings, ignored the fact that my mascara was probably running and cherished every moment of the song. Just thinking about it still gives me goosebumps.

3. There is such a thing as meeting the band too many times.

Within minutes of arriving at our hotel, we had seen enough of the band’s crew to realize we would be staying in the same hotel as the band. At first, this elicited fan girl glee. Squealing with excitement, my girlfriends and I imagined running into the band and chatting, laughing, maybe even getting some fun selfies. Of course, we weren’t the only giggling fans to have these daydreams and it quickly became apparent that maybe the band just wanted to get from the hotel lobby to their room without smiling for a picture. Not that they weren’t friendly, because they were. They were so very sweet and patient with u,s but it was obvious that they had to be sweet and patient with a lot of people. We ran into the band all right… we ran into them everywhere. Elevators, hallways, hotel lobby, on the streets… it got to the point where I would see them coming and duck down an alley or into a shop or look down at my phone to save them the trouble of doing either of the same. Not to say they would do that, but what if they did? Can you say awkward?  I have to give props to Mikel for not running from my girlfriends and me when we screamed and jumped around the first day we saw him on the streets after visiting the hotel bar for some pre-concert refreshments. It was not my finest moment.

4. TATE is the best.

No, seriously. I know what you’re thinking. How am I only now figuring this out? It’s not that I didn’t already believe this to be true, but after that weekend, I have a new found respect for them. As I’ve said, the band spent the whole weekend being accosted by fans at every turn, and yet they were polite and gracious every time I saw them interacting with one. Even though I’m sure Adrian must have been overwhelmed by all the attention, he never once faltered, answering dozens of questions from curious fans wanting to get to know the new guy a little better. There was at least one member of the band meeting with people after every show, and Mikel took the time to chat and thank every fan that waited for him after the last night, even though I’m sure he was exhausted.

The Airborne Toxic EventMy favorite moment of interaction was after the second show on Friday night when my friends and I stayed to chat with Steven and Anna. As we posed for a picture, Mikel was running out to a waiting car. We screamed for him to join us in the picture and even though he could have pretended not to hear us, he glanced back, turned around and (battling over excited fans and chilly temperatures) made his way back to us, photobombing our picture with Steven before running back to the car. They are just all so wonderful to me. When I take a moment to think about what the members of TATE were doing every day that weekend, how hard they were working, I can’t help but to be so incredibly grateful for every moment they gave us.

5. TATE fans are the best.

Now that we’ve established how wonderful this band is, can I take some time to emphasize how absolutely awesome their fans are? I spent the weekend putting faces to names, meeting people I had only ever “known” online and some I had never known at all. People who had read my TIN articles introduced themselves to me, and I was so honored and moved by their kindness. Every show became less and less about just watching the band on stage and more and more about experiencing the music with the people around you. By the third night, strangers were started to recognize each other and learning each others’ names. We were like one big extended family. TATE’s music brought me together with people I am sure I will be friends with for the rest of my life. If you need a reason to love this band any more than you already do, look no further than the amazing people who support them.

Jamie: A Strange, Strange GirlJamie spends most of her days with her husband as they attempt to raise 4 future TATE fans and all around decent human beings. In her free time, when not obsessively listening to her favorite bands and going to concerts, she is also an aspiring seamstress. She writes about her handmade wardrobe on her blog Such a Strange Girl, and is a regular contributor to This Is Nowhere.

By Glen

2014 was a year of transition for The Airborne Toxic Event. An unexpected roster change and a bold new sound stole the headlines and had fans buzzing, while a triumphant fall tour assured followers of the band that there is plenty to be excited about in the future. In case you missed any of it, we’ve got you covered with our interactive recap.

Jan. 22: The Airborne Toxic Event announces that bassist Noah Harmon would be taking an indefinite, temporary leave for the birth of his first child, and that he would be replaced on an interim basis by Ashley Dzerigian

Noah Harmon takes a break

Jan. 25: Ashley plays her first and only full-length TATE gig, in Vancouver, BC

Ashley Dzerigian's first gig with The Airborne Toxic Event

Jan. 27: The band appears on Jimmy Kimmel Live, performing “Hell and Back” and “Bride and Groom” – Ashley’s final appearance with The Airborne Toxic Event

Feb. 5: The Airborne Toxic Event announces that Ashley will not be able to continue with the band due to unforeseen circumstances, and will be replaced for the upcoming tour by Adrian Rodriguez

Adrian Rodriguez joins The Airborne Toxic Event

Feb. 5: The band begins their February mini-tour in St. Petersburg, FL – Adrian’s first show

Feb. 11: “Hell and Back” released as a stand-alone single

The Airborne Toxic Event Hell and Back

Mar. 4: The first known performance of The Bulls, Anna Bulbrook’s new band with Marc Sallis (they played every Tuesday in March at Hemingways Lounge in LA)

The Bulls

Mid-March: Baby Harmon is born

Noah Harmon, dad

May 9: The Airborne Toxic Event kicks off summer festival season at Atlanta’s Shaky Knees Festival

May 12: TATE announces a North American fall tour, to be launched with a three night residency at The Fillmore in San Francisco, where they will play each of their three studio albums in full on consecutive nights

The Airborne Toxic Event Fall Tour 2014

May 20: The Darren Rose Radio podcast premieres with an in-depth interview of Mikel Jollett, in which he promises big changes in sound for Airborne’s upcoming fourth album

Mikel Jollett and Darren Rose

Aug. 1: TATE fans get their first taste of the new direction when the band debuts two new songs (“Dope Machines” and “California”) at Boonstock Festival in Penticton, BC

Anna Bulbrook of The Airborne Toxic Event, Boonstock Music Festival, Penticton, BC, Aug. 1, 2014. Photo by TATE fan Elva.

Anna Bulbrook of The Airborne Toxic Event, Boonstock Music Festival, Penticton, BC, Aug. 1, 2014. Photo by TATE fan Elva.

Aug. 3: The Airborne Toxic Event performs in the pouring rain at Lollapalooza, with TATE fans around the world tuning in via live stream

Aug. 3: The band confirms that they will be releasing new music in the fall

Aug. 3: In a post-Lollapalooza interview, the band confirms that Noah will not be returning to the band, and Adrian is a permanent member

Aug. 4: Noah announces on Instagram that he was fired, igniting a firestorm among fans

Aug. 10: Anna is named favorite tambourine player in a poll hosted by Philadelphia Radio 104.5

Aug. 18: The Airborne Toxic Event begins a daily countdown to the Fillmore residency, sharing insights into every song from the studio albums through social media (which we would later compile in our Fillmore digital programme)

Sept. 9: The band announces a new record deal with Epic Records

Sept. 18: TATE’s fall tour kicks off with the first night of The Fillmore residency; the debut album is played in full and new song “Wrong” receives its world premiere

Steven Chen of The Airborne Toxic Event, Fillmore Residency

Sept. 19: Night two of The Fillmore residency is live streamed by Yahoo! Screen; All At Once is played in full

The Airborne Toxic Event Fillmore Night 2 poster created by John Mavroudis (http://zenpop.com).

The Airborne Toxic Event Fillmore Night 2 poster created by John Mavroudis (http://zenpop.com).

Sept. 20: Such Hot Blood is played in full on night three of The Fillmore residency, with “The Way Home” performed live for the first time

Angelic Anna Bulbrook. Photo by Stan Silverman, Sept. 20, 2014, The Fillmore San Francisco.

Angelic Anna Bulbrook. Photo by Stan Silverman, Sept. 20, 2014, The Fillmore San Francisco.

Oct. 1: Consequence of Sound debuts “Come Unwound,” the first single by The Bulls

The Bulls

Oct. 2: The Airborne Toxic Event presents a special acoustic performance in Washington, DC

Mikel Jollett gets up close and personal during The Airborne Toxic Event's acoustic set in Washington, DC. Photo by Jamie, Oct. 2, 2014.

Mikel Jollett gets up close and personal during The Airborne Toxic Event’s acoustic set in Washington, DC. Photo by Jamie, Oct. 2, 2014.

Oct. 3: New single “Wrong” premieres on Radio 104.5

Oct. 5: The Airborne Toxic Event’s scheduled show in Pawtucket, RI is cancelled due to Mikel’s laryngitis

Oct. 13: San Diego Radio 91X streams “Wrong,” reveals the single artwork and announces that the new album will be titled Dope Machines

The Airborne Toxic Event: Wrong


Oct. 14:
The Bulls’ single “Come Unwound” is officially released

The Bulls: Come Unwound

Oct. 26: “Wrong,” the first single from The Airborne Toxic Event’s Dope Machines, is officially released

Oct. 30: TATE performs a homecoming show at Los Angeles’ legendary Greek Theatre

Nov. 7: The music video for “Wrong” is filmed at Denver’s Ogden Theater on the last day of the fall tour; the shoot includes a select group of fans

Adrian Rodriguez: video shoot for The Airborne Toxic Event's Wrong

Nov. 17: The Airborne Toxic Event’s cover of Paul McCartney’s “No More Lonely Nights” is released on The Art of McCartney

The Art of McCartney

Nov. 17: The Bulls release the music video for “Come Unwound”

Dec. 9: The Airborne Toxic Event releases the music video for “Wrong”

Dec. 15: Mikel and Anna perform as an acoustic duo at 106.5 The End’s Not So Acoustic XMas Show in Charlotte, NC

Dec. 19: TATE’s final live performance of the year at Main Street Armoury in Rochester, NY is canceled due to Daren Taylor’s illness

Dec. 21: Final mix of Dope Machines completed

What was your personal TATE highlight of 2014? Was it one of the events listed here, or something else entirely? Comment below!

For a complete listing of 2014 tour dates, including setlists for almost every show, visit our TATE setlist archive.

Glen, Fan of The Airborne Toxic EventGlen is the founder and editor of This Is Nowhere. He’s grateful for an understanding wife and kids who indulge his silly compulsion to chase a band all over the Pacific Northwest (and occasionally beyond) every time the opportunity arises.

Anna Bulbrook, Daren Taylor and Mikel Jollett of The Airborne Toxic Event - Fillmore Night 1. Photo by Julie.

Anna Bulbrook, Daren Taylor and Mikel Jollett of The Airborne Toxic Event – Fillmore Night 1. Photo by Julie.

Adrian Rodriguez of The Airborne Toxic Event - Fillmore Night 2. Photo by Julie.

Adrian Rodriguez of The Airborne Toxic Event – Fillmore Night 2. Photo by Julie.

By Julie

I was hell-bent on combining what might be considered the world’s first Airborne fan convention with classic tourism. That might have been why my five-day adventure in San Francisco took on surrealist tones. Instead of visits to museums and sterile bus trips, I chose to frame The Airborne Toxic Event‘s three-night residency at the legendary Fillmore with a trip to Alcatraz, a rapid-fire visit to the remnants of 60s hippiedom at Golden Gate Park and Haight Street, and a Sunday stroll through the Latino-hipster enclave of The Mission District, with its exquisite modern cave drawings from a not yet lost civilization.

The Fillmore exudes a glamorous trashy elegance, with its multitude of chandeliers and the ghosts of music gods from bygone eras who soothed the souls of spirits for more than 60 years. This venerable venue contrasted nicely with its sketchy surroundings. The daily line of concert-going loiterers outside the Geary Boulevard post office down the street from the Fillmore’s main doors mingled with the homeless and disenfranchised. There was the man spouting existentialist poetry, who for a dollar, challenged people to a bet that he could make them laugh. Countless sad wanderers and harried workers running to catch the bus wanted to know who was playing that night. The comforter and pillows I dragged over from the Goodwill on day three to make the wait more comfortable were donated to the kind folks who added to the local flavor and put our rock shows in proper context.

What occurs to me a week later, as sights and sounds emerge from this crazy smorgasbord of a West Coast trip, is the immense respect and appreciation the Airborne fans have for their beloved band — and vice versa. On night three, Mikel said that this time in San Francisco had been “an eye opener” for them. I hope he was referring to the extreme dedication of fans that had traveled from as far away as the East Coast, England, Ireland and Switzerland to attend the shows, queuing in line all day for coveted front of the hall spots. The shows themselves were crazy communal love fests, with the entire audience singing along to all the old songs — and the few new ones as well.

Steven Chen of The Airborne Toxic Event unleashes his mad mandolin skills - Fillmore Night 3. Photo by Julie.

Steven Chen of The Airborne Toxic Event unleashes his mad mandolin skills – Fillmore Night 3. Photo by Julie.

For the band’s part in this ongoing love affair, they had dusted off many rarely played or never played deep cuts from their three albums, plus several songs not on albums, and crafted three stunning performances. They did this in amongst writing and recording a new album, embarking on a new (more synth-happy) sound for the band, a label switch and a new bass player in Adrian Rodriguez, who amazingly learned seven years of material in about six months.

The challenges Airborne has faced in the past few years are the type which every band in the trenches of the treacherous music business experiences, but I imagine they were especially formidable for a group that cares so deeply about the quality and integrity of their music and public persona.

Since this band is all about metaphor and symbolism, I must tip my hat to The New Bird in Town. Our feathered friend is no longer shot through with an arrow, still flying despite the blood pouring from its breast, but is now rising triumphant like a phoenix. Unlike the phoenix, which is formed from the ashes of its former self, the new incarnation of Airborne rises from a breathtaking legacy of some extremely fine music, as we bore witness to over three magical nights.

Not knowing how this year’s changes would fly with long-time or even newer fans, there had to be at least a little trepidation (on both sides of the stage). But after an exultant trilogy of performances, with the centerpiece of the worldwide Yahoo Live broadcast in all its chanting, swaying, hand clapping, fist pumping glory (starting with an audience sing-along to Bowie and Queen), there can be little doubt. So long as the band remains true to itself, unsullied by the lure of mainstream acceptance over artistic integrity, the fans, with great appreciation and admiration, will be ready to embrace T.A.T.E. 2.0 with open arms.

************

My sincere heartfelt gratitude to Mikel, Anna, Adrian, Daren and Steven, who performed virtually all the songs in their stunning catalog as though their very lives depended on it. Thank you also to their crew (especially Hoogie, a reluctant rock star in his own right) who created a gorgeous production of pristine sound, dazzling lights and one very large bird.

Mikel Jollett and Anna Bulbrook of The Airborne Toxic Event get up close and personal - Fillmore Night 3. Photo by Julie.

Mikel Jollett and Anna Bulbrook of The Airborne Toxic Event get up close and personal – Fillmore Night 3. Photo by Julie.

JulieAlong with writing regularly for This Is Nowhere, Julie publishes musingsfromboston.com, a music blog with the bipolar personality of wannabe philosopher and charlatan music critic, where she is just as likely to review the audience as she is the band. Her first Airborne show was at a lingerie party hosted by WFNX at an Irish-Mexican bar in Boston’s financial district. She does her best to live by the motto “only one who attempts the absurd can achieve the impossible.”


The Airborne Toxic Event, Fillmore Night 1. Photo by Jessica.

The Airborne Toxic Event, Fillmore Night 1. Photo by Jessica.

By Glen

It’s been a mere two weeks since our last Toxicity, but it feels like a lifetime ago. Between the Fillmore excitement and the steady stream of TATE news and the ceaseless flow of pictures and reports from the first six tour stops, I’m completely out of the loop on anything that doesn’t have to do with my family, my job or The Airborne Toxic Event. As a huge hockey fan, I completely forgot that training camps have opened and preseason games have begun – unthinkable at any other time in my life. But then, this is no ordinary time – not in the TATE universe, anyway. So, let’s get to the news.

Mikel on New Album, Noah

On the afternoon of the first Fillmore gig, the fan line was abuzz over a story on Yahoo in which Mikel Jollett spoke about the new album, their new record deal, the departure of Noah Harmon and more. Among the highlights:

On signing with Epic Records and joining forces with L.A. Reid:

“He’s got a great ear,” Jollett says of the one-time Babyface collaborator who also gained notoriety with the general public by appearing as a judge on The X Factor. “I love that dude. I love working with him. He’s got great energy and he’s super down for artists. He just wants us to do what we want to do and wants to support it. It’s been a very positive experience so far. And we get to be labelmates with Modest Mouse. They’re like one of my all-time favorites.”

On the new album, which Yahoo claims is tentatively set for an early 2015 release:

It was during that set (Lollapalooza) that the band chose to debut “Dope Machines” and “California,” two new songs from its still-in-progress album. “‘Dope Machines’ is about how dopey machines can make you,” Jollett explains. “You know, everyone is staring at their iPhones and whatnot. And sort of simultaneously, how cool it is to have all these dope-ass machines to make music with, and drive, and save you from a heart attack. It’s kind of a double-edged sword. The machines are turning us into something different that’s a little smarter in some ways and more capable; and a little dumber and checked out and not quite as engaged in others.”

As for “California,” it offers a flip side to the Hollywood version of the Golden State, featuring movie stars, palm trees, surfer boys and blonde beach beauties. “I grew up in L.A. and went to public schools in L.A. where there were like four white kids,” he says. “I thought [the Hollywood version] was a weird representation of Los Angeles, because it had nothing to do with the city I knew.”

Musically, Jollett drew inspiration from some of the greatest voices in the history of rock. “I heard this a cappella version of David Bowie and Freddie Mercury singing ‘Under Pressure.’ Do yourself a favor if you have a minute, YouTube that s**t. They’re just f**king amazing singers. God damn, Freddie Mercury could sing, and David Bowie’s in the background going ‘do-do-dad-do.’ It’s just so, rhythmic and weird and awesome. I had this moment of clarity where I thought, ‘You know what, I’ve got to change my approach.’ This whole last year has been all about finding things are just fun to play, things that sound different and weird, things that are unabashedly catchy, that have a handclap to them and an innate rhythm. I ended up making this whole record kind of based on those ideas, which is by far the weirdest record we’ve made.”

On Noah’s firing and the addition of Adrian Rodriguez to the band:

With the new direction came a line-up change. Founding bassist Noah Harmon initially took a parental leave of absence in early 2014, but in August, he confirmed via Instagram he had been ousted from the band. “We kind of made a decision as a group to not disclose why,” Jollett says. “All I can say he was let go. Of course there were reasons, but I think it’s kind of disrespectful to air those publicly. We wish him well. I will say him having a kid had nothing to do with it. We’re very happy that happened for him and think that’s very positive.”

Replacing Harmon, however, wasn’t easy. On an interim basis, the band first tapped Ashley Dzerigian. “She got snatched up by CeeLo Green after one gig,” Jollett says. Eventually, the band hired Rodriguez, whose played with Hanni El Khatib. “He’s a great guy, great bass player and a wonderful guy to be around,” Jollett says. “We’re all super psyched to have him in the band. He’s a really good onstage and can play the s**t out of his bass.”

TATE fans have been waiting for an official statement from the band with regards to Noah’s release; hopefully this interview will put that issue to rest, as it appears that there will be no more information forthcoming.

Tour News

We’re already over a week deep into the fall tour, but that doesn’t mean that there’s no new tour news. In recent days we’ve learned that:

TATE Photograph Smorgasbord

Got an hour (or three) to kill? The new tour is proving to be a photographer’s dream come true. Already, we’ve seen hundreds of dazzling images floating around the web, led by Ryan Tuttle’s Fillmore set. As the official photographer of the Fillmore residency, Ryan had both on-stage and backstage access, resulting in a truly magnificent collection.

And that’s just the beginning. Here are some more photogs who captured the action in San Francisco:

Meanwhile, there are these offerings from Tempe:

And finally, from the final summer festival stops of the year:

Fillmore in Review

We were surprised at the paucity of reviews of the Fillmore shows; it seems the media was content to leave the reviewing to us here at TIN. The only other review we’ve been able to dig up was Indie Obsessive’s take on the show #2, which they summed up thusly: “The Airborne Toxic Event put on a show that removed any doubt as the wisdom of Yahoo! in its decision to stream the event.”

The Airborne Toxic Baker Strikes Again

What’s a Toxicity without a new TATE cookie? The band has been keeping Susan busy of late, what with all their new guitar pick designs. Never one to back down from a challenge, she came through with flying colors on Anna’s new pick. And having sampled a wide variety of TATE cookies in San Francisco, I can attest that they taste as good as they look – maybe even better.

Toxic Gold

We shared this earlier, but didn’t want it to get buried. Here’s the long awaited live world premiere of “The Way Home” from Night 3 at The Fillmore, courtesy of Julie.

Glen, Fan of The Airborne Toxic EventGlen is the founder and editor of This Is Nowhere. He’s grateful for an understanding wife and kids who indulge his silly compulsion to chase a band all over the Pacific Northwest (and occasionally beyond) every time the opportunity arises.

A Vision in Green: Anna Bulbrook and Steven Chen of The Airborne Toxic Event at The Fillmore. Photo by Stan Silverman, Sept. 2014.

A Vision in Green: Anna Bulbrook and Steven Chen of The Airborne Toxic Event at The Fillmore. Photo by Stan Silverman, Sept. 2014.

By Glen

It turns out that writing show reviews at 3 am after a gig isn’t as difficult as I feared it would be – not even when you do it three nights in a row. The thrill of The Airborne Toxic Event’s San Francisco residency was a shot of adrenaline powerful enough to keep me awake until absurd hours – though it’s fair to say the effect wore off by the time my alarm alerted me all too early the next morning(s) that it was time to get moving and reclaim my uncomfortable spot on the concrete in front of the post office next to The Fillmore.

That being said, the middle of the night is no time for deep thoughts, and one really needs to let the euphoria fade for a few days in order to really be able to put into perspective an experience like this. And so, having already reported on the minutiae of each performance (see here, here and here), I’m ready to take a step back and reflect on the event as a whole.

The day after the dust settled, I tweeted this:

I still can’t think of a better way to say it.

Any fan who has seen a band multiple times on the same tour knows that the most common refrain among such devotees is, “I wish they’d mix up the setlist more.” Bands generally plan their sets for the overwhelming majority of audience members who will only see them once, in their own city of residence – not for the diehards who follow them from town to town. The typical concert-goer wants to hear the hits, the songs they can sing along to, not the obscure deep cuts. Musicians play to this, and it’s perfectly understandable. But it does leave a lot of great music unplayed.

Even those acts with a well-earned reputation for drawing from their full catalog – your Pearl Jams, your Springsteens – still play just a handful of rarities on any given night, mixing them in amongst the tracks that made them famous. If you wanted to see them all, you’d have to hit the road for months.

But what if your favorite band announced that they were going to play virtually every song they’d ever released over the course of three nights in one city? It’s every music fan’s dream.

That’s what The Airborne Toxic Event did last week. From Sept. 18-20, they played three full albums plus every original song from the live All I Ever Wanted album. They played B-sides. They played covers. They played three songs from an album that is still months away from release. They played extended versions. They played new versions. They played radio hits. They played songs that only the biggest fans know. They played two songs for the first time ever, and they may very well have played several songs for the last time ever – time will tell.

And they did all this with a new bassist in tow. Adrian Rodriguez’s efforts are heroic in light of the sheer volume of material he had to learn in a short amount of time. Not that the other band members had it easy, mind you. They too had to remember how to play songs they hadn’t touched in years, while also figuring out how to perform tunes that they only recently put the finishing touches on in the recording studio. They had to rearrange songs in light of the lineup change, and, at least in Steven Chen’s case, they had to learn new instruments (mandolin). And as if all that isn’t enough pressure, they did it in front of a crowd of super fans who flew in from around the world who, let’s be honest, in addition to being the biggest supporters of the band, can also be the most critical audience when things aren’t up to snuff.

To say they pulled it off with flying colors would be a pitiable understatement. Over the course of three shows that were progressively longer, The Airborne Toxic Event played a total of 64 songs, including 43 unique tracks (see complete list below). It was an astounding display of musicianship, passion, hard work and dedication to both their craft and their fans, the likes of which we may never see again.

Or will we? True, another occasion like The Fillmore residency seems unlikely to ever happen again. But it does hold great promise for the immediate future. After all, the residency was only the beginning of an intensive seven-week North American tour. As the band heads out with nearly four-dozen songs polished up and ready to go, one expects that we’ll see more setlist variety than on any previous tour. Already, Tempe, AZ got a playlist that would’ve been shocking a year ago, including such rarely played numbers as “All for a Woman,” “Papillon” and “What’s in a Name?” – not to mention the very welcome return of former stalwart “Innocence.” What a treat it’s going to be to go to a TATE show this fall wondering what they’ll surprise us with tonight!

Angelic Anna Bulbrook. Photo by Stan Silverman, Sept. 20, 2014, The Fillmore San Francisco.

Angelic Anna Bulbrook. Photo by Stan Silverman, Sept. 20, 2014, The Fillmore San Francisco.

And then there’s the sheer scale of the show, which seems like it would be just as at home in a large arena as it is in a small club. From the massive bird spreading its wings over drummer Daren Taylor (who is himself elevated well above his bandmates), to the lively light and fog effects, to the crystal clear sound and the musicians’ ever-evolving showmanship, this tour is visually spectacular, with a different point of interest from every angle. We are in for a veritable cornucopia of photographic fun this fall, highlighted by the new favorite game of TATE fans everywhere: Pin the Wings on the Band Member.

The Fillmore residency was both a celebration of all that came before it, and a bold proclamation of what is coming next. The past was brought to life through the insights Mikel shared on each song leading up to the opening date, and in stories shared from the stage looking back on earlier visits to the city. The future was brought into the present through “Dope Machines” and “California” and especially “Wrong,” which combines the best of what TATE has been with the promise of what they will become.

In a week that created a thousand memories, one impression will remain long after the specific details have receded. It’s a picture of a fearless band with something to prove, taking on a herculean challenge and bringing it to its knees – a band that will never forget its past, even as it builds on it towards a new and exciting future.

Songs Played at the Fillmore Residency:

A Letter to Georgia
All At Once (x3)
All for a Woman
All I Ever Wanted (x3)
The Book of Love
Bride and Groom
California
Changing (x3)
Does This Mean You’re Moving On? (x2)
Dope Machines
Duet
Elizabeth
The Fifth Day
Gasoline (x2)
The Girls in Their Summer Dresses
Goodbye Horses
The Graveyard Near the House (x3)
Half of Something Else
Happiness is Overrated (x2)
Hell and Back  (x3)
Innocence (x2)
It Doesn’t Mean a Thing
The Kids Are Ready to Die
Missy (x2)
Numb
Papillon
Safe (x2)
The Secret
Something New
Sometime Around Midnight (x3)
The Storm
Strange Girl
This is London
This is Nowhere
This Losing
Timeless
True Love
The Way Home (*world premiere)
Welcome to Your Wedding Day
What’s in a Name?
The Winning Side
Wishing Well (x2)
Wrong (x3) (*world premiere)

Video Highlights (all videos by Julie)

This Is Nowhere, Night One: I was on the receiving end of the handshake at the start of the song and the recipient of the guitar pick at the end of the song. So, an obvious personal highlight.

Wrong, Night One: A world premiere, preceded by some hilarious stories of the band’s early days.

Innocence, Night One: A welcome return for the best song ever.

This Losing, Night One: Bucket list – check!

All for a Woman, Night Two: Bucket list – check!

Strange Girl, Night Two: Slow arrangement or fast? Or how about both?

A Letter to Georgia, Night Two: Finally!

This is London, Night Three: Poetry in motion.

The Fifth Day, Night Three: Chills.

The Way Home, Night Three: A personal favorite, and another world premiere.

Glen, Fan of The Airborne Toxic Event Glen is the founder and editor of This Is Nowhere. He’s grateful for an understanding wife and kids who indulge his silly compulsion to chase a band all over the Pacific Northwest (and occasionally beyond) every time the opportunity arises.

San Francisco. Photo by Tracey, Sept. 2014.

San Francisco. Photo by Tracey, Sept. 2014.

By Tracey

As I reflect upon my San Francisco Residency experience, I realize that I learned a whole new language while in San Francisco. Here are my top 5 TATE-isms:

1. TATE-cation

When you plan your yearly vacation around when/where TATE will be performing. Maybe you’ll travel across the country, maybe you’ll travel across the world; but there’s nothing better than planning your vacation by picking an interesting locale that you wouldn’t normally get to see with the added bonus that your favorite band just happens to be performing there. Sweet!

2. Left or Right?

This question is frequently asked when you are about to enter a venue for a TATE show. For the most part, fans get a completely different concert experience depending on which side of the stage they choose. Will you spend the evening on the left hand side of the stage with a prime view of Anna and Mikel (and an occasional Steven)? Or will you go to the right and admire Adrian’s flowy hair (perfected by an electric fan in a hot venue, trust me on this) and Steven’s newly acquired mandolin skills? Unfortunately, regardless of which side you choose, you’ll only occasionally get a view of the top of Daren’s hat rocking out on the drums. All TATE fans will agree: we need more Daren.

Angel Anna Bulbrook. Photo by Tracey, Fillmore Residency, Sept. 2014.

Angel Anna Bulbrook. Photo by Tracey, Fillmore Residency, Sept. 2014.

3. Angel Wings

A new game that TATE fans around the world will now partake in (this could get weird…). The object of the game is to get the best picture of a band member in front of the giant wings on the stage via TATE’s signature bird. This may require multiple takes, so get the storage capacity on your phone and camera ready. Was this planned?

4. Wrong

There are many things you can attach to this phrase, but for fans lucky enough to witness this in person, this may be the most fabulous piece of music since… well, the LAST most fabulous piece of music that TATE put out (I don’t like to pick favorite songs, it would be like saying you have a favorite child). “Wrong” is the brand new song that was debuted on the first night of the Residency and was played both nights thereafter. Summary: it will rock your face off.

5. Setlist/Pick Freaks

OK, we’ve all been there at least once where it’s been your mission in life to get your hands on that setlist or begin your collection of band member guitar picks. But, beware: it’s quite possible that the mega-fan behind you is willing to throw elbows to get that piece of swag. Protect yourself at all times. (This also applies to the time during “Does This Mean You’re Moving On” with all “the screaming and the jumping.” See what I did there? Song title with a beautiful random placement of a Mikel quote, all in one sentence. Perfection.)

In Summary: Get your booty to as many shows as possible on the Fall Tour. It’s going to be an AMAZING ride!

TraceyTracey lives near Akron, Ohio where she has a full-time career with the American Red Cross. When she’s not traveling near & far to rock out with her favorite bands, she’s running her creative business, Redesign on a Dime. Repurposing old items, painting, listening to music & being a science nerd top her list of favorite activities.

The Airborne Toxic Event Fillmore Programme sample

After months of counting down to The Airborne Toxic Event’s Fillmore residency, we now live on the other side of it.

It was all we ever wanted – and more.

3 nights. 3 albums. 64 songs played, including 43 unique tracks. Brand new songs. Very old songs. B-sides. Covers. New arrangements. Live streams. And one big-ass bird.

You’ll never want to forget it – and you’ll never have to.

Last week, prior to the first show, we released a one-of-a-kind keepsake, free to all TATE fans. With the shows now behind us, our digital TATE Fillmore programme has been updated and expanded from 20 to 28-pages. The setlists from all three nights have been added, and it is now jam-packed with a visual buffet of photos from the residency, courtesy of Elva, Jessica and Julie.

Created, edited and designed by Stephanie Webb and Glen Hoos, the programme also includes Mikel Jollett’s personal reflections on each song from Airborne’s first three studio albums, plus the fan-selected bonus track “A Letter to Georgia,” which have been shared via the band’s Facebook and Twitter feeds in the month leading up to the event.

Also included are bios of each of the three support bands for the residency: Kiev, In the Valley Below and White Arrows, as well as a brief overview of the historic venue in which the performances took place.

The programme is now available in two versions: a digital version ideal for viewing on screen, and a print-ready version for those who want a hard copy.

We hope you’ll enjoy this lasting memento of three epic nights.

Click here to download The Airborne Toxic Event Fillmore Residency digital programme.

Click here to download a print-ready file set up for booklet printing, with crop marks.

(Tip: Right-click the link and select “Save Link As” to save the PDF file to your computer.)

Please Note: Official lyrics to “Wrong” and all songs by The Airborne Toxic Event are now available in our TATE Lyrics collection.

One of the many highlights of The Airborne Toxic Event’s Fillmore residency was the debut of a new song titled “Wrong,” the lead track off the band’s upcoming fourth album. Played all three nights, the synth-heavy number is already well on its way to becoming a fan favorite, at least among those who were in attendance in San Francisco.

Mikel Jollett: "I believe I was wrong." The Airborne Toxic Event Fillmore Residency, Sept. 19, 2014. Photo by Glen.

Mikel Jollett: “I believe I was wrong.” The Airborne Toxic Event Fillmore Residency, Sept. 19, 2014. Photo by Glen.

Wrong – lyrics by Mikel Jollett

All my young life, I’ve been trying to say just one thing right. Now we’ve come to the day. You’re here in my arms, I don’t know what to say.

I believe I was wrong, probably most of my life. Or I’m just hearing it wrong. I’m just watching the fire-light.

I see the look in your eyes, “Am I trying too hard? Am I doing this right?” So I fall down to my knees. I’m not easy to soothe; I’m never easy to please.

I believe I was wrong, probably most of my life. Or I’m just hearing it wrong. I’m just watching the fire-light. And I don’t care if it’s right. I know your friends are opposed. But we’ve still got tonight. We’ll just keep our eyes closed.

Anna Bulbrook and her Airborne Toxic Event bandmates left it all on the stage Saturday night at The Fillmore. Photo by Glen.

By Glen

Two years to the day since The Airborne Toxic Event introduced Such Hot Blood at Red Rocks, the group added another chapter to their growing legend when they played the album through in its entirety on the final night of their Fillmore San Francisco residency. And as special as that was, it was merely the tip of the iceberg on this occasion, a communal celebration of the bond between a band and its fans.

Throughout last year’s Such Hot Blood Tour, we bitched about wondered why the newest album was not being played more extensively. And though that question has never really been answered, Night Three at The Fillmore proved beyond doubt that this underrated masterpiece is worthy of more live attention. Simply put, Such Hot Blood is a monster of an album, and the Fillmore fans greedily ate it up.

The stage was set for a special night when Mikel Jollett backed up his contention that he never should’ve allowed himself to be talked into slashing a minute from opening track “The Secret.” The band delighted those in attendance by playing the original longer version for the first time since the album’s release. “So you drink to forget, or you drink to remember…” lamented the singer, reviving one of TATE’s great lost lyrics.

“Timeless” found the crowd in unrestrained sing-along mode, before “What’s in a Name?” established itself as a stadium-sized rocker. Later, as guitarist Steven Chen greeted fans after the show, he mentioned that he’d like to play this one more frequently as this tour progresses, so keep an eye out for it in a city near you.

The momentum continued with a very strong rendition of “The Storm,” as the singer attacked the closing lines with all the power he could muster. “Safe” followed, receiving its second airing of the residency, sweeping the crowd away in its peerless interplay between Mikel and Anna Bulbrook’s guitar, viola and voices. Fan favorite “Bride and Groom” was next, as the combined volume of every fan in the building singing along threatened to drown out the vocalist entirely.

With “True Love” looming, a mandolin was slipped surreptitiously onstage. The question hung in the air like a half-filled balloon: who would pick up the instrument?

Steven Chen + Mandolin: Is it True Love? Photo by Julie.

Steven Chen + Mandolin: Is it True Love? Photo by Julie.

Steven Chen, ladies and gentlemen.

The guitarist traded his usual tool for the much smaller weapon, which he used to create a great big moment when he nailed the mandolin solo like he’s been doing it forever. (He later admitted that it’s only been six weeks.)

Over the next twenty minutes, the crowd would be utterly captivated by a quartet of rarities that are begging not to be so rare in the future. First up, “This Is London,” featuring Anna’s gorgeous viola sandwiched between Mikel’s equally lovely lyrics.

Next came the showstopper. “The Fifth Day” was everything fans were hoping for and then some, compelling the hairs on the back of my neck to stand straight up at attention, just as they did at Red Rocks. I don’t know how they did it, but the band replicated the huge orchestral sound at the end of the song with only five players on stage. Anna’s whistles leading into the climactic symphony were spot on, as were the high harmonies to end the song. Chills. (Steven spoke about this song after the show as well, hinting that it would be a shame to put in all the work to get it ready and then only play it once on tour…)

“Elizabeth” had a rough start, as Mikel found himself distracted by an electric fan blowing in his face and called for a restart. The second attempt was flawless, with the crowd again joining in on each precious word.

Though the B-side “Dublin” was passed over, the Such Hot Blood portion of the evening wasn’t quite finished yet: not before the long-awaited and much-requested world premiere of “The Way Home.” This European bonus track has become the theme song of the past eight years of my life, and occupied the top spot on my own Fillmore wishlist, so it will come as no surprise to hear that this was one of the highlights of the residency for me. And though Mikel humbly predicted that he would screw it up, the song was executed without a hitch.

The remainder of the main set was just one sample of rock ecstasy after another: “Wishing Well,” “Dope Machines,” “All I Ever Wanted,” “Wrong,” “Sometime Around Midnight,” and finally a second San Francisco helping of “Innocence.” “Dope Machines,” off the upcoming album, was played for the first time since Lollapalooza, and it seems the band has landed on the ideal arrangement. After Mikel struggled with the falsetto on previous performances, those portions were now presented as a harmony between Mikel and Anna, achieving the same high pitch that they were seeking, but now with a solid foundation running underneath. It was perfect, and combined with another impeccable rendering of “Wrong,” excitement for the new album is quickly becoming feverish.

I can’t even express how welcome it is to see “Innocence” back in the rotation. That song takes every show into the next dimension, and this one was certainly no exception. A highlight was seeing Adrian Rodriguez wielding the bow on bass with greater authority than was the case on Thursday.

The first of two encores was a stripped down Mikel-and-Anna show, beginning with a lovely “Duet” (whose inclusion in the set made up for it being passed over on Friday), and culminating with “The Graveyard Near the House,” performed for the third consecutive evening. This one functioned as a sequel to Friday’s incident in which Mikel chided Anna for repeating the “You have no idea about me” line one verse too early. This time, it was Mikel who made that same mistake, allowing Anna to give it right back to him as they sang, “Did you memorize your lines, ’cause I did.”

The second encore brought an enthusiastic and rocking end to both the show and the residency, with four hits that had audience members pouring out every last ounce of energy, not wanting to leave anything in the tank: “Gasoline,” “Changing,” “Hell and Back” and “All At Once.” The band slowed down only long enough for Mikel to express their profound gratitude for the fans who make their dream possible. That gratitude was more than mutual, as more than one fan could be overheard despairing, “This can’t be over!” as the opening notes of “All At Once” rang out.

All told, Such Hot Blood night featured 23 songs in a 1-hour, 58-minute set. Astoundingly, there were actually 25 on the setlist, but “Numb” and “Papillon” were dropped, perhaps because the gig was inching past midnight as it wound down. 13 of the 23 songs were unique to Night Three.

There is so much more to say as we wrap up the residency that it’s going to take another blog post to say it. We’ll be back with that later this week. For now, This Is Nowhere is signing off from The Fillmore… the best three days of music we have ever experienced.

Click here for the setlist.

Click here to download our FREE digital Fillmore programme.

Glen, Fan of The Airborne Toxic Event Glen is the founder and editor of This Is Nowhere. He’s grateful for an understanding wife and kids who indulge his silly compulsion to chase a band all over the Pacific Northwest (and occasionally beyond) every time the opportunity arises.

The Airborne Toxic Event's Steven Chen takes flight at The Fillmore. Sept. 19, 2014. Photo by Glen.

The Airborne Toxic Event’s Steven Chen takes flight at The Fillmore. Sept. 19, 2014. Photo by Glen.

By Glen

The Airborne Toxic Time Machine jumped back to 2010/11 on night two of The Airborne Toxic Event’s Fillmore residency on Friday night, as the band presented their sophomore album All At Once to a delirious in-house crowd and a worldwide audience that tuned in through Yahoo! Screen.

Whereas the previous night’s show found the band in full throttle rock mode from beginning to end, the follow-up showed off the full range of Airborne’s versatility, allowing viewers to sample the many diverse flavors the group has to offer. The result was a set that gave both band and audience some room to breathe, with a number of ballads and mid-tempo numbers mixed in among the more high octane tunes.

The first half of the show found TATE ripping through the featured album with many highlights along the way. Though a good two thirds of the tracks on the record have been setlist staples for the past three-plus years, that still left a number of rarely played treats on the menu.

The first on that list was “All For a Woman,” which enthralled the audience with singer Mikel Jollett’s impassioned vocal delivery and Steven Chen’s shimmering guitar solo. (The band’s new configuration found Steven taking lead electric guitar, with Adrian Rodriguez holding down bass – unlike the former arrangement which saw Steven and original bassist Noah Harmon swap instruments for the song.)

Next up was “It Doesn’t Mean a Thing,” which was ever-so-slightly slowed down from the Gasoline-esque pace of the studio album. Hot on the heels of that one came the one-two anti-war punch of “The Kids Are Ready to Die” and “Welcome to Your Wedding Day,” with the former played punk style a la the All At Once Tour.

The undeniable highlight of the album portion of the set came in the form of “Strange Girl,” a song that Mikel introduced as being about how, as an adult, you wish you were as passionate about anything as you were about a song by The Cure when you were 16 years old. (Incidentally, I can personally attest to the fact that some of us are even more passionate about our music as adults than we ever were as teenagers!) We had previously wondered whether “Strange Girl” would be played in upbeat fashion as per the album, or in the stripped-down ballad format favored by the band during their previous (rare) live performances. The answer: both/and. It started off slow, with all focus on Mikel’s arresting vocals, but as the first verse wound down, pausing just long enough to have me wondering if we might only get a truncated version, the band kicked into high gear and presented the rest of the song at full power. It was a rapturous performance; one that would be most welcome to be repeated as the tour progresses.

An amusing moment came during the ever-popular, album-closing “The Graveyard Near the House.” After Anna Bulbrook made a mistake by repeating the first “You have no idea about me” ahead of schedule, one could detect just the slightest hint of playful chastisement as Mikel glanced at her accusingly as he sang, “Did you memorize your lines, ’cause I did…”

The next question to be answered was what rarities would be pulled out of the hat. Rather than playing B-sides from All At Once, the band dipped into the All I Ever Wanted live album and dusted off a couple of seldom-played fan favorites: “A Letter to Georgia” and “Goodbye Horses.” Scratch two more off my ever-dwindling bucket list.

Moving into more current material, the first Such Hot Blood tune of the residency, “Safe,” was sandwiched between a pair of songs from the yet-to-be-released fourth album, “California” and “Wrong.” “California” differed from the arrangement seen at recent festivals, as Steven stuck to guitar and did not have to juggle two sets of keys on top of that; Anna provided all that was needed in that regard. “Wrong,” meanwhile, is just so damn right. Fans had been buzzing all day about its premiere the previous night, and on second listen it was even stronger.

After closing the main set with “Sometime Around Midnight,” the band took some time to revise their planned encore. Obviously feeling the urge to go out with a bang, the setlisted “Duet” was scratched in favor of a spontaneous “Does This Mean You’re Moving On?” which opened with an extended drum trio from Daren Taylor, Mikel and Adrian, and climaxed with Steven leaping from the elevated drum riser as he struck the familiar riff. Before long, Mikel was into the crowd for selfies and monkey dancing. (Brief aside: “Moving On” opened the encore at my first TATE show, and for my money, it’s still the best song for that slot.)

The energy continued to flow through a raucous “Happiness is Overrated” and “Hell and Back,” before they turned it down a notch for “The Book of Love,” which found Mikel sitting on the edge of the stage, delivering a moment of intimacy to some lucky fans in the front row.

Finally, the band reconvened to sign off for another night with their signature “Missy”/”I Fought the Law” combo, leaving an exhausted crowd in their wake as they disembarked to rest up and prepare for the third and final night of this memorable San Franciscan adventure. All told, we were treated to a massive 22-song setlist that featured just ten repeats from the previous evening. The scope of what TATE is undertaking this week, and on this tour in general, is truly remarkable. We can’t wait to see what the grand finale has in store.

Click here for the setlist.

Click here to download our FREE digital Fillmore programme.

Missed the live stream? It’s being replayed for 24 hours on Yahoo! Screen.

Glen, Fan of The Airborne Toxic Event Glen is the founder and editor of This Is Nowhere. He’s grateful for an understanding wife and kids who indulge his silly compulsion to chase a band all over the Pacific Northwest (and occasionally beyond) every time the opportunity arises.